Arter's New Exhibition "No later. The aftermath is now." Opens to Visitors
Curated by Delfin Öğütoğulları, Arter's new group exhibition addresses not the end of the planet, but the end of the mechanisms that sustain it and examines global powers.
Opening to visitors today on the third floor of Arter, the group exhibition titled "No later. The aftermath is now." centers on the view that the end of the world has already arrived, scrutinizing global powers and ecological political realities.
Scope and Focus of the Exhibition
The exhibition, meeting audiences on the third floor of Arter, is curated by Delfin Öğütoğulları.
The event emphasizes that the end of the world is a condition we are currently within and one that is constantly reproduced.
Global Powers and Media in the Artworks
The exhibition focuses on global forces such as radiation, global warming, hydrocarbons, and plastics.
Almost all of the artworks establish a close relationship with media and communication tools.
Inspiration from Cormac McCarthy's Novel The Road
Taking its name from Cormac McCarthy's novel The Road, the exhibition questions the conditions of a fading reality.
It addresses how the idea of the apocalypse is manipulated and mediatized.
Featured Artworks and Installations
Necla Rüzgar's installation God's Birds reflects the destructive impact of human intervention on biodiversity.
Works by names such as Olaf Metzel and Jarostaw Koztowski deal with digital control and the manipulation of language.