Jill Greenberg's Monkey Portraits Exhibition Meets Art Enthusiasts in Istanbul

Serdar HocamAuthor & Editor

American photographer Jill Greenberg is exhibiting her monkey portraits as part of 212 Photography Istanbul, questioning the relationship between humans and animals.

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Maymunların aynasında insanı görmek: Jill Greenberg’in "Monkey Portraits" serisi - Medyascope

American photographer Jill Greenberg's Monkey Portraits exhibition is meeting audiences in Istanbul within the scope of 212 Photography Istanbul. The exhibition explores how humans project their own emotions onto animals and examines the boundaries between the two species through monkey portraits.

An Important Exhibition Within the Festival

The 212 Photography Istanbul festival is taking place between September 26 and October 11 across more than twenty-five venues on Istanbul's culture and arts route. The program features works by artists from different geographies around the world.

PEUGEOT assumes the main sponsorship for the events, which will be held in historical venues such as Tophane-i Amire and the Galata Greek School.

The Origin Story of the Exhibition

The starting point of the five-year Monkey Portraits project was the human-like expression seen in a spontaneous portrait of a capuchin monkey named Katie.

The artist states that since her childhood, she has been interested in works where the boundaries between animals and humans are blurred.

Human Perception in the Mirror of Monkeys

Greenberg points out that due to the similarity between monkeys' faces and those of humans, viewers project their own emotions and thoughts onto them.

The artist emphasizes that these portraits reveal a great deal about human nature rather than the inner worlds of the animals.

The Perception of Reality in Photography

Carrying the technical expertise from her commercial photography background into her personal projects, the artist argues that photographs are never neutral evidence.

She notes that despite developing artificial intelligence and digital technologies, people's initial reflex is still to believe in photographs.