Evaluations on the State of the Art Market and Historical Examples
Kenny Schachter discusses changes in the art market, independent initiatives, the fate of Vito Acconci's archive, and recent losses in the art world.
As the art season opens, transformations in the market, gallery closures, and rental pressures are being debated once again, while independent artist initiatives and historical examples are evaluated alongside current developments.
Current Trends in the Art Market
According to data from the Art Basel and UBS Global Art Market Report, while price pressures persist in the ultra-contemporary sector, increases in rents and logistics costs are driving galleries to operate without permanent physical spaces.
This situation causes galleries to turn towards appointment-only offices, home environments, digital strategies, and art agencies, while art fairs and auctions continue to maintain their presence.
Historical Do-It-Yourself Models
Past independent art initiatives include Albrecht Dürer, William Hogarth who initiated self-organized auctions in 1745, and Gustave Courbet who made a breakthrough in 1855.
Kenny Schachter continues this tradition of independent intervention with his Hoarder series, the seventh of which will soon take place and includes reserve-free sales.
The Fate of the Vito Acconci Archive
Following conceptual artist Vito Acconci's estate facing a $410,000 judgment, the studio contents were seized by the landlord.
These studio contents were entirely purchased by Michael Hue Williams, a former London gallery owner who runs a sculpture park in the Oxfordshire countryside.
Thefts and Losses
Incidents involving the theft of Renoir works—exhibited at a museum on the French Riviera and on loan from the Musée d'Orsay—by thieves are also on the agenda.
Additionally, the art world was shaken by the passing of renowned artist Yayoi Kusama, who died at the age of 97.